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Interfit |
PRODUCT NAME
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Interfit 90cm (36”) Octabox Professional Softbox |
CODE
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I90CMSS |
PRICE
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=N=15,000 |
AVAILABILITY
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IN STOCK |
DELIVERY
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Usually dispatched within 24 Hours |
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Interfit 90cm (36”) Octabox Professional Softbox
Description
A small, octagonal softbox that provides soft, directional light that wraps around your subject. Interfit's new line of professional softboxes comes in a wide variety of shapes and sizes to fit the specific needs of all photographers. These new modifiers are designed for everyday use in professional studios and were crafted to meet the demands of even the most stringent photographer.
Features
- Durable, heat-resistant material, making it suitable for use with any flash, LED, fluorescent or tungsten light source up to 1000w.
- Pebbled-Silver Lining, for even, edge-to-edge light throughout the softbox.
- UV-Coated diffusers, for more durability and to eliminate magenta colour shift.
- Velcro diffuser attachments, for an easier and more reliable hold than metal snaps 40 degree Honeycomb Grid, for greater control of light spill.
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Octaboxes create a unique, natural-looking light that is not easily replicated by traditional square or rectangular softboxes. These unique features make Octaboxes ideal for portraiture. The rounded shape of an octagon creates a natural, round catch light in the subjects' eyes. Unlike traditional square or rectangular softboxes, octaboxes do not have a long straight edge. This creates a wrapping effect that opens up shadows and creates a natural, gradual gradient from highlight to shadow. Octaboxes are typically used in portraiture as a main light, or as a soft fill light. Speed Ring required. Sold separately.
Having all the controls on the power pack makes it easier to change the settings of multiple flash heads in one place quickly. Monolights come with the controls built directly into the light itself. So if you have multiple monolights, you'll need to control and adjust the settings of each one separately. Head/power pack kits also offer faster flash durations than monolights, which can really come in handy when you want to freeze action during fast motion. They also have faster recycle times.
If you're shooting outdoors or with complicated modifier setups, you are going to need a lot of power to overcome the sun or the light loss caused by the modifiers. Head/pack systems have a big advantage in the power department. Whereas, if you're shooting indoors or inside your studio, monolights will probably be more than enough for regular work.
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